I could spend days surfing the 777 different projects that the visualcomplexity project has gathered, some of them amaze me because of what they are about, more of them just because they are so beautiful. Some examples, just to get you started
“Nike+ involves the placement of a sensor underneath the foot bed of your Nike running shoe in order to collect data about where you’ve run, how long it took and where you can improve over time – since each individual run becomes part of a collective historical database. Even though Nike+ website already gives individual users a variety of features to make sense of their personal data, the collective analysis of this growing database is remarkably promising.
The interactive collective YesYesNo developed an installation for Nike’s retail stores to visualize a year’s worth of runs uploaded to the Nike+ website. With custom software, the installation plays back runs throughout three cities: New York, London and Tokyo. The runs showed tens of thousands of peoples’ runs animating the city and bringing it to life. The software visualizes and follows individual runs, as well as showing the collective energy of all the runners, defining the city by the constantly changing paths of the people running in it.”
“Using the visualization tool Gephi, Elijah Meeks has produced a series of experiments depicting databases in diverse styles. The images show here are mapping the top contributors to the Catalogue of Life and their associated species, references and databases.
As Elijah states: “While it could be argued that all databases can be devolved into graph databases, and as such all databases are graphs and therefore networks in the most pure sense, I think that there’s something more practical at play here: the importance of network visualization for database aesthetics. Summaries and statistics drawn from within the structure of the database are not enough. If there is to be any real grappling with the database as an culturally-embedded construct, then it has to be done in a manner that reveals the data, the model and the population simultaneously.”
“Writing Without Words, by Stephanie Posavec is a series of striking visualizations exploring the differences in writing style between authors of various modern classics. The images shown here are a visualization of Part One from the book On the Road by Jack Kerouac. In this piece, entitled Literary Organism, each literary component was divided hierarchically into even smaller parts – Part, Chapters, Paragraphs, Sentences, and ultimately Words, the smallest branch in the diagram. Stephanie also created different colors to distinguish the eleven thematic categories she created for the entirety of On the Road. Some categories include: Social Events & Interaction, Travel, Work & Survival, and Character Sketches, among others.
This is how NOTCOT describes Stephanie’s work:”The maps visually represent the rhythm and structure of Kerouac’s literary space, creating works that are not only gorgeous from the point of view of graphic design, but also exhibit scientific rigor and precision in their formulation: meticulous scouring the surface of the text, highlighting and noting sentence length, prosody and themes, Posavec’s approach to the text is not unlike that of a surveyor. And similarly, the act is near reverential in its approach and the results are stunning graphical displays of the nature of the subject. The literary organism, rhythm textures and sentence drawings are truly gorgeous pieces.”
Filed under: case studies, exploring new ideas, online networks, Other people's work | Tagged: beauty, case study, Elijah Meeks, gephi, graph database, Jack Kerouac, nike plus, On the Road, other people's work, Stephanie Posavec, visual complexity, Visual thinking, YesYesNo |